About

STARE

STARE is inspired by “stylewriting,” an urban artistic movement born on the east coast of the United States in the late ’60s. As an artist of calligraphy, he preserves the aesthetics of this movement all while pushing its habitual boundaries; presenting this contemporary art from a different perspective so that it can be discovered and appreciated by a wider audience.

In his works, glyphs are treated as autonomous entities that defy their usual structures. Sketches, textures, shadows, lines and outlines become fundamental elements of the composition. His works are inspired by the materials and textures of the structure in itself as well as the surrounding area’s luminosity, seeking to interact with the surrounding architecture. Sometimes, this is done through contrasts that enliven the public sphere, other times through a contextual approach that mindfully seeks balance. Use of public space as well as the dialogue between his pieces and passersby are an integral part of his artistic practice and his views on the democratization of art. The materials and techniques he use are always chosen to create long-lasting pieces that age well within their environment.  

He created his first large-scale mural in 2007 as a trailblazer for the style in Montreal. He presented his first solo exhibition in 2013, Star d’un soir, all while participating in collective shows in Canada and abroad. This show sought to immortalize part of the ephemeral history of Montreal’s avant-garde public art scene. In his studio practice, architectural elements that habitually house his works are reproduced and integrated into his pieces. Concrete, plaster, brick and even vegetation are the mediums used to forge a connection between his paintings and the urban environment.  


GROUP EXHIBITIONS

  • Sur paroles, 2024, Musée de la civilisation, Québec, Canada

  • Still Tho: Aesthetic Survival in Hip Hop’s Visual Art, 2023, Galerie Prince Takamado de l’Ambassade du Canada, Tokyo, Japon

  • Formats à Emporter, 2022, Galerie Institut National Art Contemporain, Montréal, Canada

  • Still Tho: Aesthetic Survival in Hip Hop’s Visual Art, 2022, Âjagemô, Canada council for the arts, Ottawa, Canada

  • Inside and Out, 2019, Peter Robertson Gallery, Edmonton, Canada

  • Le Futur, 2019, Le Livart, Montréal, Canada

  • Surface, 2018, Avenue des Artistes, Quartier Des Spectacles, Montréal, Canada.

  • Time is gold, 2018, Le Livart, Montréal, Canada

  • XL4, 2018, Musée d’Art Interculturel, Montréal, Canada

  • When the sun goes down, 2017, Arcade Gallery, Kaohsiung, Taiwan

  • Magic & Deacy, 2017, Real Fresh Canvas gallery, Edmonton, Canada

  • Et après? 2016, Artgang, Montreal, Canada

  • De la ligne à l’abstraction, 2014, Galerie d’art Yves Laroche, Montréal, Canada.

  • Empreinte urbaine (S.O.S. racisme) 2011, Palais d’Iéna, Paris, France

SOLO EXHIBITIONS

  • Teranga, 2022, Tudor Hall, Holt Renfrew Ogilvy, Montréal, Canada

  • Star d’un Soir, 2013, Galerie d’art Yves Laroche, Montréal, Canada

PUBLIC ART

  • Lightkeeper, Hors Les Murs, 2023, Brest, France

  • Teranga, 2022, Dagana, Sénégal. Association Morgane et ASEM (Association des écoles modernes du Sénégal)

  • Ahead, Festival Bump, 2021, Calgary, Canada

  • La porte de l’est, 2019, Montréal, Canada. Entente sur le développement culturel de Montréal par le gouvernement du Québec et la Ville de Montréal

  • Convergence, 2019, Montréal, Canada.

  • Festival Mural, 2018, Montréal, Canada

  • The WallRiors Festival, 2017, Kaohsiung, Taïwan

  • Rust Magic Festival, 2017, Edmonton, Canada

  • Cap tourmente 2016,  Entente sur le développement culturel de Montréal par le gouvernement du Québec et la Ville de Montréal

  • Balance, Haut Contraste et Providence, 2015, Montréal, Canada. Entente sur le développement culturel de Montréal par le gouvernement du Québec et la Ville de Montréal

  • Sans titre, 2015, Montréal, Canada,

  • Festival Cosmopolite, 2010, Paris, France

  • Festival La Mostra, 2002, Santo André, Brésil, Office Québec-Amériques